entire backlist

Below is the entire list of Wallflower Press publications presented by series.

international film guide
	INTERNATIONAL FILM GUIDE 2008 (44TH EDITION) The Definitive Annual Review of World Cinema Ian Haydn Smith (ed.)
short cuts
	RELIGION AND FILM Cinema and the Re-Creation of the World S. Brent Plate	FILM AND PHILOSOPHY Taking Movies Seriously Daniel Shaw
	CONTEMPORARY BRITISH CINEMA From Heritage to Horror James Leggott	CINEMA AND HISTORY The Telling of Stories Mike Chopra-Gant
	GERMAN EXPRESSIONIST CINEMA The World of Light and Shadow Ian Roberts	CRIME FILMS Investigating the Scene Kirsten Moana Thompson
	READING HOLLYWOOD Spaces and Meanings in American Film Deborah Thomas	DISASTER MOVIES The Cinema of Catastrophe (second edition) Stephen Keane
	THE WESTERN GENRE From Lordsburg to Big Whiskey John Saunders	THE HORROR GENRE From Beelzebub to Blair Witch Paul Wells
	THE STAR SYSTEM Hollywood’s Production of Popular Identities Paul McDonald	SCIENCE FICTION CINEMA From Outerspace to Cyberspace Geoff King and Tanya Krzwynska
	EARLY SOVIET CINEMA Innovation, Ideology and Propaganda David Gillespie	PSYCHOANALYSIS AND CINEMA The Play of Shadows Vicky Lebeau
	COSTUME AND CINEMA Dress Codes in Popular Film Sarah Street	MISE-EN-SCÈNE Film Style and Interpretation John Gibbs
	NEW CHINESE CINEMA Challenging Representations Sheila Cornelius with Ian Haydn Smith	SCENARIO The Craft of Screenwriting Tudor Gates
	ANIMATION Genre and Authorship Paul Wells	WOMEN’S CINEMA The Contested Screen Alison Butler
	BRITISH SOCIAL REALISM From Documentary to Brit Grit Samantha Lay	FILM EDITING The Art of the Expressive Valerie Orpen
	AVANT-GARDE FILM Forms, Themes and Passions Michael O'Pray	PRODUCTION DESIGN Architects of the Screen Jane Barnwell
	NEW GERMAN CINEMA Images of a Generation Julia Knight	EARLY CINEMA From Factory Gate to Dream Factory Simon Popple
	MUSIC IN FILM Soundtracks and Synergy Pauline Reay	MELODRAMA Genre, Style, Sensibility John Mercer
	FEMINIST FILM STUDIES Writing the Woman into Cinema Janet McCabe	FILM PERFORMANCE From Achievement to Appreciation Andrew Klevan
	NEW DIGITAL CINEMA Reinventing the Moving Image Holly Willis	THE MUSICAL Race, Gender and Performance Susan Smith
	FILM NOIR From Berlin to Sin City Mark Bould	TEEN MOVIES American Youth on Screen Timothy Shary
	DOCUMENTARY The Margins of Reality Paul Ward	THE NEW HOLLYWOOD From Bonnie and Clyde to Star Wars Peter Krämer
	ITALIAN NEOREALISM Rebuilding the Cinematic City Mark Shiel	WAR CINEMA Hollywood on the Front Line Guy Westwell
	FILM GENRE From Iconography to Ideology Barry Grant	ROMANTIC COMEDY Boy Meets Girl Meets Genre Tamar Jeffers McDonald
	SPECTATORSHIP The Power of Looking On Michelle Aaron	SHAKESPEARE ON FILM Such Things as Dreams Are Made of Caroline Jess-Cooke
	THE FRENCH NEW WAVE A New Look Naomi Greene
directors’ cuts
	THE CINEMA OF DAVID CRONENBERG From Baron of Blood to Cultural Hero Ernest Mathijs	THE CINEMA OF JAN SVANKMAJER Dark Alchemy (2nd edition) Peter Hames (ed.)
	THE CINEMA OF LARS VON TRIER Authenticity and Artifice Caroline Bainbridge	THE CINEMA OF TERRENCE MALICK Poetic Visions of America (2nd edition) Hannah Patterson (ed.)
	THE CINEMA OF WERNER HERZOG Aesthetic Ecstasy and Truth Brad Prager	THE CINEMA OF ANG LEE The Other Side of the Screen Whitney Crothers Dilley
	THE CINEMA OF TODD HAYNES All That Heaven Allows James Morrison (ed.)	THE CINEMA OF STEVEN SPIELBERG Empire of Light Nigel Morris
	THE CINEMA OF ROMAN POLANSKI Dark Spaces of the World John Orr and Elzbieta Ostrowska (eds)	THE CINEMA OF JOHN CARPENTER The Technique of Terror Ian Conrich
	THE CINEMA OF MIKE LEIGH A Sense of the Real Garry Watson	THE CINEMA OF NANNI MORETTI Dreams and Diaries Ewa Mazierska and Laura Rascaroli
	THE CINEMA OF KRZYSZTOF KIESLOWSKI Variations on Destiny and Chance Marek Haltof	THE CINEMA OF DAVID LYNCH American Dreams, Nightmare Visions Erica Sheen and Annette Davison (eds)
	THE CINEMA OF ANDRZEJ WAJDA The Art of Irony and Defiance John Orr and Elzbieta Ostrowska (eds)	THE CINEMA OF GEORGE A. ROMERO Knight of the Living Dead Tony Williams
	THE CINEMA OF KATHRYN BIGELOW Hollywood Transgressor Sean Redmond and Deborah Jermyn (eds)	THE CINEMA OF ROBERT LEPAGE The Poetics of Memory Aleksandar Dundjerovich
	THE CINEMA OF WIM WENDERS The Celluloid Highway Alexander Graf	THE CINEMA OF KEN LOACH Art in the Service of the People Jacob Leigh
	THE CINEMA OF EMIR KUSTURICA Notes from the Underground Goran Gocic	THE CINEMA OF NEIL JORDAN Dark Carnival Carole Zucker Foreward by Stephen Rea
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	THE CINEMA OF NORTH AFRICA & THE MIDDLE EAST Gönül Dönmez-Colin (ed.) Preface by Abbas Kiarostami	THE CINEMA OF RUSSIA & THE FORMER SOVIET UNION Birgit Beumers (ed.) Preface by Sergei Bodrov
	THE CINEMA OF AUSTRALIA & NEW ZEALAND Geoff Mayer and Keith Beattie (eds) Preface by John Hughes	THE CINEMA OF CANADA Jerry White (ed.) Preface by Atom Egoyan
	THE CINEMA OF FRANCE Phil Powrie (ed.) Preface by Michel Marie	THE CINEMA OF SCANDINAVIA Tytti Soila (ed.) Preface by Jacob Neiiendam
	THE CINEMA OF BRITAIN AND IRELAND Brian McFarlane (ed.) Preface by Roy Ward Baker	THE CINEMA OF SPAIN AND PORTUGAL Alberto Mira (ed.) Preface by Román Gubern
	THE CINEMA OF CENTRAL EUROPE Peter Hames (ed.) Preface by István Szabó	THE CINEMA OF JAPAN AND KOREA Justin Bowyer (ed.) Preface by Jinhee Choi
	THE CINEMA OF ITALY Giorgio Bertellini (ed.) Preface by Gian Piero Brunetta	THE CINEMA OF THE LOW COUNTRIES Ernest Mathijs (ed.) Preface by Harry Kümel
	THE CINEMA OF LATIN AMERICA Alberto Elena and Marina Díaz López (eds) Preface by Walter Salles
nonfictions
	CHÁVEZ: THE REVOLUTION WILL NOT BE TELEVISED A Case Study of Politics and the Media Rod Stoneman	DOCUMENTARY DISPLAY Re-Viewing Nonfiction Film and Video Keith Beattie
	FILMS OF FACT A History of Science in Documentary Films and Television Timothy Boon	BUILDING BRIDGES The Cinema of Jean Rouch Joram Ten Brink (ed.) Preface by Michael Renov
	VISION ON Film, Television and the Arts in Britain John Wyver	THE IMAGE AND THE WITNESS Trauma, Memory and Visual Culture Frances Guerin and Roger Hallas (eds)
	PROJECTING MIGRATION Transcultural Documentary Practice Alan Grossman and Áine O'Brien (eds) Preface by Hamid Naficy	DIRECT CINEMA Observational Documentary and the Politics of the Sixties Dave Saunders
cultographies
	SUPERSTAR: THE KAREN CARPENTER STORY Glyn Davis	BAD TASTE Jim Barratt
	THE ROCKY HORROR PICTURE SHOW Jeffrey Weinstock	DONNIE DARKO Geoff King
	THIS IS SPINAL TAP Ethan de Seife
close-up
	CLOSE-UP 01 Filmmakers' Choices / The Pop Song in Film / Reading Buffy John Gibbs and Douglas Pye (eds)	CLOSE-UP 02 Movies and Tone / Reading Rohmer / Voices in Film John Gibbs and Douglas Pye (eds)
dekalog
	DEKALOG 1 On The Five Obstructions Mette Hjort (ed.)
alterimage
	ALTERNATIVE EUROPE Eurotrash and Exploitation Cinema Since 1945 Ernest Mathijs and Xavier Mendik (eds)
critical guides
	CONTEMPORARY NORTH AMERICAN FILM DIRECTORS A Wallflower Critical Guide (second edition) Yoram Allon, Del Cullen and Hannah Patterson (eds)	CONTEMPORARY BRITISH AND IRISH FILM DIRECTORS A Wallflower Critical Guide Yoram Allon, Del Cullen and Hannah Patterson (eds)
film & media studies
	Film Curatorship Archives, Museums and the Digital Marketplace Edited by Paolo Cherchi Usai, David Francis, Alexander Horwath, Michael Loebenstein	HAUNTED IMAGES Film, Ethics, Testimony and the Holocaust Libby Saxton
	CITIES IN TRANSITION The Moving Image and the Modern Metropolis Andrew Webber and Emma Wilson (eds)	A FAMILY AFFAIR Cinema Calls Home Murray Pomerance (ed.)
	INGMAR BERGMAN REVISITED Performance, Cinema and the Arts Maaret Koskinen (ed.)	JOSEF VON STERNBERG The Case of Lena Smith Alexander Howarth and Michael Omasta (eds)
	SUBVERSION The Definitive History of Underground Cinema Duncan Reekie	THE UNSILVERED SCREEN Surrealism on Film Graeme Harper and Rob Stone (eds)
	DZIGA VERTOV The Vertov Collection at The Austrian Film Museum Thomas Tode and Barbara Wurm (eds)	THE CINEMATIC TANGO Contemporary Argentine Film Tamara L. Falicov
	TALKING MOVIES Contemporary World Filmmakers in Interview Jason Wood Preface by Geoff Andrew	FIRES WERE STARTED British Cinema and Thatcherism (second edition) Lester Friedman (ed.)
	FEMINIST AUTEURS Reading Women's Films Geetha Ramanathan	LORD OF THE RINGS Popular Culture in Global Context Ernest Mathijs (ed.) Preface by Brian Sibley
	FILMOSOPHY Daniel Frampton	REMAPPING WORLD CINEMA Identity, Culture and Politics in Film Stephanie Dennison and Song Hwee Lim (eds)
	CROSSING NEW EUROPE Postmodern Travel and the European Road Movie Ewa Mazierska and Laura Rascaroli	SEX AND THE CINEMA Tanya Krzywinska
	SCREEN METHODS Comparative Readings in Film Studies Jaqueline Furby and Karen Randell (eds)	UNCOVERING THE HOLOCAUST The International Reception of Night and Fog Ewout van der Knaap (ed.)
	THE LURE OF THE VAMPIRE Gender, Fiction and Fandom from Bram Stoker to Buffy Milly Williamson	THE MATRIX TRILOGY Cyberpunk Reloaded Stacy Gillis (ed.)
	HITCHCOCK AND TWENTIETH-CENTURY CINEMA John Orr	MOVING IMAGE TECHNOLOGY From Zoetrope to Digital Leo Enticknap
	THE CZECHOSLOVAK NEW WAVE Peter Hames	THE RED AND THE WHITE The Cinema of People’s Poland Paul Coates
	REALITY TV Realism and Revelation Anita Biressi and Heather Nunn (eds)	SIGNS OF LIFE Medicine and Cinema Graeme Harper and Andrew Moor Sir Kenneth Calman, former Chief Medical Officer, UK
	BIG BROTHER INTERNATIONAL Formats, Critics and Publics Ernest Mathijs and Janet Jones (eds)	KEEPING IT REAL Irish Film and Television Ruth Barton and Harvey O’Brien (eds)
	SELLING SEATTLE Representing Contemporary Urban America James Lyons	THE TROUBLE WITH MEN Masculinities in European and Hollywood Cinema Phil Powrie, Ann Davies and Bruce Babington (eds)
	LIQUID METAL The Science Fiction Film Reader Sean Redmond (ed.)	VISIONS OF THE APOCALYPSE Spectacles of Destruction in American Cinema Wheeler Winston Dixon
	THE HOLLYWOOD STORY Everything You Ever Wanted to Know About the American Movie Business But Didn’t Know Where to Look Joel W. Finler	EAST-WEST ENCOUNTERS Franco-Asian Cinema and Literature Sylvie Blum-Reid
	HUNGARIAN CINEMA From Coffee House to Multiplex John Cunningham	CINEMA OF THE OTHER EUROPE The Industry and Artistry of East Central European Film Dina Iordanova
	KUNG FU CULT MASTERS From Bruce Lee to Crouching Tiger Leon Hunt	SOUNDSCAPE The School of Sound Lectures, 1998–2001 Larry Sider (ed.)
	POPULAR MUSIC AND FILM Ian Inglis (ed.)	CINEMA'S MISSING CHILDREN Emma Wilson
	THIS THING OF OURS Investigating The Sopranos David Lavery (ed.)	TELEPARODY Predicting/Preventing the TV Discourse of Tomorrow Angela Hague and David Lavery (eds)
	YESTERDAY'S NEWS The British Cinema Newsreel Reader Luke McKernan (ed.)	FILM COMEDY Geoff King
	FILMING HISTORY The Memoirs of John Turner, Newsreel Cameraman John Turner	FRANCE ON FILM Reflections on Popular French Cinema Lucy Mazdon (ed.)
	THE STORY OF A CENTURY! An International Newsfilm Conference Clyde Jeavons, Jane Mercer and Daniela Kirchner	THE BLADE RUNNER EXPERIENCE The Legacy of a Science Fiction Classic Will Brooker (ed.)
	HOLOCAUST AND THE MOVING IMAGE Representations in Film and Television Since 1933 Toby Haggith and Joanna Newman (eds)
film criticism
	WIDESCREEN Watching. Real. People. Elsewhere Mark Cousins	MOVIE WARS How Hollywood and the Media Limit What Films We Can See Jonathan Rosenbaum
	LIGHT READINGS Film Criticism and Screen Arts Chris Darke
film production/industry
	PERFORMING ILLUSIONS Cinema, Special Effects and the Virtual Actor Dan North	THE RESEARCHERS GUIDE Film, Television, Radio and Related Documentation Collections in the UK Sergio Angelini (ed.)
	INTRODUCTION TO DOCUMENTARY PRODUCTION A Guide for Media Students Searle Kochberg (ed.)	THE BUFVC HANDBOOK Martyn Glanville, Suren Rajeswaren and Hetty Malcolm-Smith (eds)
artists' film & video
	JAMES BENNING Barbara Pichler and Claudia Slanar (eds)	JOHN COOK Viennese by Choice, Filmemacher von Beruf Michael Omasta
	PETER TSCHERKASSKY Alexander Howarth and Michael Loebenstein (eds)	CINEMA OF PRAYOGA Indian Experimental Film and Video 1913-2006 Brad Butler and Karen Mirza (eds)
	THE ANIMATE! BOOK Benjamin Cook and Gary Thomas (eds)	THE MEMO BOOK Films, Videos and Installations by Matthias Muller Peter Todd and Benjamin Cook (eds)
	TWO FILMS BY OWEN LAND Mark Webber (ed.)	CINEMA BEFORE CINEMA The Origins of Scientific Cinematography Virgilio Tosi
	SUBJECTS AND SEQUENCES A Margaret Tait Reader Peter Todd and Benjamin Cook (eds)	THE UNDERCUT READER

books

magazines

entire backlist

international film guide

The Definitive Annual Review of World Cinema

short cuts

Cinema and the Re-Creation of the World

Taking Movies Seriously

From Heritage to Horror

The Telling of Stories

The World of Light and Shadow

Investigating the Scene

Spaces and Meanings in American Film

The Cinema of Catastrophe (second edition)

From Lordsburg to Big Whiskey

From Beelzebub to Blair Witch

Hollywood’s Production of Popular Identities

From Outerspace to Cyberspace

Innovation, Ideology and Propaganda

The Play of Shadows

Dress Codes in Popular Film

Film Style and Interpretation

Challenging Representations

The Craft of Screenwriting

Genre and Authorship

The Contested Screen

From Documentary to Brit Grit

The Art of the Expressive

Forms, Themes and Passions

Architects of the Screen

Images of a Generation

From Factory Gate to Dream Factory

Soundtracks and Synergy

Genre, Style, Sensibility

Writing the Woman into Cinema

From Achievement to Appreciation

Reinventing the Moving Image

Race, Gender and Performance

From Berlin to Sin City

American Youth on Screen

The Margins of Reality

From Bonnie and Clyde to Star Wars

Rebuilding the Cinematic City

Hollywood on the Front Line

From Iconography to Ideology

Boy Meets Girl Meets Genre

The Power of Looking On

Such Things as Dreams Are Made of

A New Look

directors’ cuts

From Baron of Blood to Cultural Hero

Dark Alchemy (2nd edition)

Authenticity and Artifice

Poetic Visions of America (2nd edition)

Aesthetic Ecstasy and Truth

The Other Side of the Screen

All That Heaven Allows

Empire of Light

Dark Spaces of the World

The Technique of Terror

A Sense of the Real

Dreams and Diaries

Variations on Destiny and Chance

American Dreams, Nightmare Visions

The Art of Irony and Defiance

Knight of the Living Dead

Hollywood Transgressor

The Poetics of Memory

The Celluloid Highway

Art in the Service of the People

Notes from the Underground

Dark Carnival

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