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contents
Acknowledgements
Notes on contributors
Introduction: Hollywood Transgressor: The Cinema of Kathryn Bigelow
by Deborah Jermyn & Sean Redmond
1 bigelow's moving canvas
1 ‘Momentum and Design’: Interview with Kathryn Bigelow
by Gavin Smith
2 Breaking Sound Barriers: Bigelow’s Soundscapes from The
Loveless to Blue Steel by Robynn J. Stilwell
3 Vampires, Indians and the Queer Fantastic: Kathryn Bigelow’s
Near Dark by Sara Gwenllian Jones
4 ‘Suck ... don’t suck’: Framing Ideology in Kathryn
Bigelow’s Near Dark by Steven Jay Schneider
5 Redressing the Law in Kathryn Bigelow’s Blue Steel by Robert
T. Self
6 All That is Male Melts into Air: Bigelow on the Edge of Point
Break by Sean Redmond
7 Cherchez la femme: The Weight of Water and the Search for Bigelow
in ‘a Bigelow film’ by Deborah Jermyn
2 the strange gaze of kathryn bigelow
8 Strange Days: A Case History of Production and Distribution Practices
in Hollywood by Romi Stepovich
9 Straight From the Cerebral Cortex: Vision and Affect in Strange
Days by Steven Shaviro
10 The Strange Days of Kathryn Bigelow and James Cameron by Christina
Lane
11 Rescuing Strange Days: Fan Reaction to a Critical and Commercial
Failure by Will Brooker
Filmography
Bibliography
Index
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