Home of independent specialist book publishing across the full spectrum of cinema and the moving image.

This month's new titles, as well as other very recent publications, are listed below. Order online for 15% off or sign up as a friend to receive further discounts!!

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NEW TITLES

	46 | FILM VIOLENCE History, Ideology, Genre James Kendrick December 2009 A concise and accessible introduction to the role violence has played in the cinema from the silent era to the present.		48 | NEW KOREAN CINEMA Breaking the Waves Darcy Paquet December 2009 New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratisation movement of the late 1980s to the ascent of a new generation of directors in the 2000s.
	Electric Sheep magazine: Winter 2009 I Fought the Law December 2009 The winter 09 issue of Electric Sheep looks at what makes a cinematic outlaw: read about the misdeeds of low-life gangsters, gentlemen thieves, deadly females, modern terrorists, cop killers and vigilantes, bikers and banned filmmakers.		44 | FANTASY CINEMA Impossible Worlds on Screen David Butler October 2009 'This introduction's multifaceted approach provides a model for future scholars and students of this important film genre.' - Joshua David Bellin, La Roche College
	POST-CLASSICAL CINEMA An International Poetics of Film Narration Eleftheria Thanouli October 2009 Does the term ‘post-classical' have any relevance in current debates on contemporary cinema?		NEO-NOIR Mark Bould, Kathrina Glitre and Greg Tuck (eds) October 2009 Neo-noir knows its past. It knows the rules of the game - and how to break them.
	The Personal Camera Subjective Cinema and the Essay Film Laura Rascaroli October 2009 'This study forces us to rethink many old assumptions about subjectivity, documentary and the image, and brings a thoughtful analysis to how the essay film works as a narrative and expositional device.' - Stella Bruzzi, University of Warwick		THE CINEMA OF SALLY POTTER A Politics of Love Sophie Mayer July 2009 'A labour of love, which argues powerfully for the political urgency of Potter's films and their capacity to transform our perception of the world.' – Libby Saxton, Queen Mary, University of London