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The Horror Genre:
From Beelzebub to Blair Witch is a comprehensive introduction
to the history and key themes of the genre. The main issues and
debates raised by horror, and the approaches and theories that have
been applied to horror texts are all featured. In addressing the
evolution of the horror film in social and historical context, Paul
Wells explores how it has reflected and commented upon particular
historical periods, and asks how it may respond to the new millennium
by citing recent innovations in the genres development, such as
the urban myth narrative underpinning Candyman and The
Blair Witch Project.
Paul Wells is Director of Animation
at The Animation Academy, Loughborough University, UK. He is the
author of Animation:
Genre and Authorship (Wallflower Press, 2002).
2000
144 pages
978-1-903364-00-0 £12.99 (pbk) |
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reviews
'A valuable contribution to the body of teaching texts available
… a book for all undergraduates starting on the subject.'
Linda Ruth Williams, University of Southampton
‘An informed and highly readable account that is theoretically
broad, benefiting from a wide of cinematic examples … An interesting
and accessible overview of the genre. This volume is theoretically
broad and benefits from a wide range of cinematic examples. The
work on focus groups/audience responses to the horror film makes
an interesting and welcome addition to the field of the study.’
Xavier Mendik, Director of the Cult Film
Archive, University College Northampton
books of related interest
The
Cinema of George A. Romero: Knight of the Living Dead
The Cinema of
David Lynch: American Dreams, Nightmare Visions
The
Cinema of John Carpenter: The Technique of Terror
Alternative
Europe: Eurotrash and Exploitation Cinema Since 1945
Underground
USA: Filmmaking Beyond the Hollywood Canon
Science
Fiction Cinema: From Outerspace to Cyberspace
The
Western Genre: From Lordsburg to Big Whiskey
Melodrama:
Genre, Style, Sensibility
Film Genre: From Iconography to Ideology
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